Helen J Shen has captivated audiences with her role in Broadway’s “Maybe Happy Ending,” a debut that feels like destiny.
At just 24, Helen J Shen, who uses she/they pronouns, has landed her dream role on Broadway, starring alongside Darren Criss in “Maybe Happy Ending” at the Belasco Theatre in New York City. The musical, with its origins in Seoul, Korea, tells the story of two retired robots finding companionship in a futuristic world.
For Shen, making a Broadway debut is a monumental achievement, yet doing so in this unique production is especially significant. ‘Any Broadway debut is to be celebrated,’ Shen remarks, reflecting on the dedication required to reach such a milestone. As someone who has already graced Off-Broadway stages in productions like “The Lonely Few” and “Teeth,” Shen finds this debut particularly meaningful, given the original score and storyline of the musical.
The actress’s excitement is palpable as she describes the experience as a ‘dream come true.’ She was able to learn from those deeply familiar with the show, which premiered globally in 2016. ‘I couldn’t have even manifested how perfect it is,’ she shares, appreciating the opportunity to work with a team she admires.
This musical stands out on Broadway for its fresh narrative and original composition, aspects Shen finds crucial amid the popularity of revivals and jukebox musicals. She emphasizes the importance of supporting new works, not only as an artist but as a fan of theater.
Growing up, Shen often struggled to identify with pre-existing roles, feeling that her dream part hadn’t been written yet. Now, with her role as Claire, she feels she has found what she was waiting for. Her swift casting process—landing the role just a day after her chemistry read with Darren Criss—was unusually quick in the industry.
Starring opposite Emmy winner Darren Criss, Shen finds they share an easy and engaging rapport. Both alumni of the University of Michigan and self-identified music enthusiasts, they often delve into discussions about the nuances of theater. Despite their synergy, their characters present a humorous dichotomy—Claire’s dry humor against Oliver’s rigid demeanor.
The show’s draw is undeniable, attracting audiences worldwide. Shen treasures the increased representation she observes among theatergoers, particularly Asian faces at the stage door. She cherishes hearing how her performance has inspired others who hadn’t previously seen themselves in such roles.
Recalling her own formative theater experiences, Shen shares a fond memory of meeting an understudy for “Billy Elliot,” remarking on how it impacted her aspirations. This connection to her roots fuels her gratitude and excitement for her current role.
Surrounded by supportive colleagues and mentors, including her industry peers and her partner, actor Andrew Barth Feldman, Shen feels grounded despite the whirlwind of her career. She hopes “Maybe Happy Ending” will enjoy a long run, inspiring future generations of theater lovers.
The potential for the musical to be adapted for smaller venues, even high schools, excites Shen. ‘The story itself survives with just a black box theater,’ she notes, hopeful for its continued impact.
With her debut in “Maybe Happy Ending,” Helen J Shen not only realizes a personal achievement but champions diverse storytelling on Broadway. Her journey is an inspiration, promising to pave the way for more new voices in theater.
Source: Yahoo
