Cinematographer Autumn Durald Arkapaw has made history with the release of the film “Sinners,” currently in theaters across the country. This Ryan Coogler-directed movie is the first to feature a female director of photography working with large format IMAX film. The milestone was brought to Arkapaw’s attention by a Kodak executive, highlighting the significance of her achievement.
The IMAX format, favored by renowned filmmakers such as Christopher Nolan, has seen a rise in popularity both among directors and audiences seeking a unique cinematic experience. Initially, Coogler intended to shoot “Sinners” using 16 mm film. However, after discussions with a Warner Bros. executive, the decision was made to utilize the large format, offering enhanced resolution and a distinctive depth of field. Coogler emphasized the value of IMAX in an era dominated by streaming and small-screen viewing, offering moviegoers an exclusive theater experience.
In preparation, Coogler and Arkapaw conducted tests with 70 mm IMAX prints from films like “2001: A Space Odyssey,” “The Hateful Eight,” and “Tenet,” consulting with Nolan and his cinematographer, Hoyte van Hoytema. They concluded that the IMAX format was well-suited for “Sinners,” a film that explores themes of vampires, the blues, and life in the Jim Crow South in 1932. Arkapaw, already familiar with IMAX from her work on “Wakanda Forever,” was enthusiastic about the possibilities of the format, inspired by advice from van Hoytema to approach the project with confidence.
The production ultimately employed a combination of IMAX film and Ultra Panavision 70, a format revived by Quentin Tarantino. This decision resulted in varying aspect ratios throughout the film, enhancing its storytelling and setting. One standout scene, initially not planned for IMAX due to its dialogue-heavy nature, showcases the introduction of Jack O’Connell’s character, an Irish vampire. Shot like a Western during a sunset, the sequence features impressive crane work and intimate shots, capturing the eerie atmosphere Coogler envisioned.
With “Sinners” now available to audiences, there is a concerted effort to encourage viewers to experience the film in its intended formats, whether on IMAX film or digitally. Star Michael B. Jordan expressed the desire to reignite interest in theater-going, emphasizing that the film is crafted for a full moviegoing experience.
Arkapaw reflects on her career journey and the evolving landscape for women in cinematography. While progress has been made, with more women entering the field, challenges remain, including the pursuit of Oscar recognition. Only three women have been nominated for the prestigious award, highlighting the ongoing need to break barriers. Arkapaw takes her pioneering role seriously, hoping to inspire future generations of female cinematographers by demonstrating that such achievements are within reach.