After five years of stirring emotions and sparking debate, Wellington’s notable sculpture, ‘Quasi’, will be removed from its perch atop the City Gallery.
The 16-foot sculpture, named ‘Quasi’, is a creation by Australia-based artist Ronnie van Hout. It stands tall, bearing an expressionless human face, and has been a prominent feature of Wellington’s skyline. Over the years, it has divided opinions, with some residents finding it unsettling, while others have embraced its eccentric charm.
Ben McNulty, a Wellington city council member, expressed mixed feelings about the sculpture’s removal. While he personally felt devastated, he acknowledged that the city was split in its perception of ‘Quasi’. Initially, most residents were baffled by its unusual appearance, but over time, a section of the community grew fond of it.
‘Quasi’ was first introduced in Christchurch in 2016, where it quickly became a subject of controversy. Some critics voiced objections, even suggesting its giant finger seemed to point belligerently at passersby. Despite criticism, Ronnie van Hout hoped that the sculpture’s oddity would evoke a sense of connection in its audience.
In 2019, ‘Quasi’ found a new home in Wellington, where it soon became a familiar—and sometimes beloved—part of the city’s dynamic landscape. Anja Porthouse, a local resident, reflected this sentiment, noting that although ‘Quasi’ is unsettling, it has become a fixture that she and many others will miss.
The removal of ‘Quasi’ is scheduled for Saturday, where a helicopter will lift the sculpture to an undisclosed location in Australia. The change marks the end of an era for Wellington, prompting varied reactions from the community, ranging from relief to sadness.
Jane Black, head of the Wellington Sculpture Trust, expressed a nuanced view, saying the sculpture will indeed be missed, while Mayor Tory Whanau conveyed a sense of relief about its departure. Ronnie van Hout concluded philosophically about the sculpture’s journey, reminding that even artistic ‘nightmares’ must eventually return home.
As Wellington prepares to say goodbye to ‘Quasi’, the city reflects on the unique role the sculpture has played. It leaves behind a legacy of conversation and connection, highlighting the power of public art to engage and challenge perceptions.
Source: Local10
