The Museum of Old and New Art (MONA) in Tasmania has been at the center of a legal storm over its controversial women-only art installation, the Ladies Lounge.
The Ladies Lounge, originally created five years ago by artist Kirsha Kaechele, faced a legal challenge last year when Jason Lau, a male visitor, was denied entry based on his gender. Lau’s lawsuit claimed discrimination, prompting a tribunal in Hobart to rule that the installation must allow men access. This ruling, however, was overturned by the supreme court in September, allowing the installation to resume its original women-only policy.
Kaechele, who is married to MONA’s founder David Walsh, chose to shutter the lounge following the initial tribunal ruling rather than comply with gender-inclusive demands. Yet, her determination to maintain the Ladies Lounge as a sanctuary for women saw her appealing to the supreme court, where she was victorious in reversing the decision. She expressed her triumph by arriving at the court with a well-coordinated group of female supporters, all sporting bright red lipstick, symbolizing their solidarity.
The installation invites women to indulge in its lavish environment, complete with champagne served by attentive butlers. Meanwhile, opportunities for men to enter the space will be limited and conducted via a ballot through MONA’s app, The O, offering what the museum describes as ‘domestic arts lessons and other reparations.’
Despite its temporary re-opening until mid-January 2025, Kaechele describes the Ladies Lounge as a ‘living artwork,’ suggesting it could appear in various forms in the future, particularly in places characterized by male dominance. She has extended an invitation for global audiences to reflect on women’s historical and contemporary experiences through this unique medium.
MONA plans to enhance the Ladies Lounge’s offerings with new works and performances, although specific details remain under wraps, ensuring the element of surprise. Entry to the Ladies Lounge is included with the museum’s ticket, exclusively for female visitors, while the museum readies to mark its concluding days with a new fragrance, ‘The Verdict.’
Citing the closure of the Ladies Lounge, Kaechele emphasized its transformation beyond a museum exhibit into a powerful commentary on gender dynamics. She shared, ‘Through the court case, the Ladies Lounge has transcended the art museum and come to life. People from all over the world have been invited to contemplate the experiences of women throughout history and today.’
The reopening of the Ladies Lounge marks a significant milestone in gender discourse within the art world. By highlighting the ongoing struggle for women’s spaces and recognition, this installation invites reflection and celebration as it respects and acknowledges women’s diverse narratives.
