In a dramatic turn of events, Venezuela’s beloved pop ensemble Rawayana has pulled the plug on their long-awaited homecoming tour. The decision came after President Nicolas Maduro launched a tirade against the group, accusing them of promoting sexist lyrics, leaving fans in shock as the band was gearing up to perform to sold-out crowds across the country.
Rawayana, a highly acclaimed band and recent Grammy nominee, found themselves in the political crossfire following Maduro’s scathing remarks at a rally. At the heart of the controversy is their hit song “Veneka”. Initially a term of endearment for Venezuelans, ‘veneka’ has morphed into a derogatory phrase used as millions fled the country amid economic turmoil. Maduro condemned the song’s lyrics, asserting that it disrespects Venezuelan women by labeling them ‘venekas’ rather than with the respect they deserve.
The band, however, argues that the song is a celebration of the beauty and strength of Venezuelan women. The lyrics draw on various musical elements, blending salsa with an electronic dub groove. Despite such artistic intentions, the political undertone surrounding the song has overshadowed its musical merit.
This abrupt cancellation isn’t just about a series of concerts but represents a significant cultural moment for Venezuela. Originally formed in Caracas in 2007, Rawayana encapsulates the modern Venezuelan sound. Numerous members have joined the exodus of citizens leaving the country. The band’s leanings became apparent when they vocalized their opposition to Maduro’s summer re-election, which was marred by allegations of fraud.
Expressing their disappointment, Rawayana took to social media, stating: ‘This is how we say goodbye to our country until further notice. Our music is not meant to divide…Peace.’ Their decision disappointed many eager fans who had waited years for this tour. ‘I’ve never gone to a concert in my 23 years,’ one fan lamented on Instagram, highlighting the widespread disillusionment.
The timing of this controversy also coincided with the cancellation of Cusica, a two-day music festival in Caracas. This festival, expected to feature Rawayana prominently, was suspended by the same organizers behind the band’s tour. Fans and critics alike believe these events should have offered an escape, a brief moment of cultural unity and celebration.
Rawayana’s frontman, Beto Monte, refrained from interviews but stated: ‘What can be seen a mile away doesn’t require much explanation.’ His words resonated with many, implying a broader understanding of the political stakes involved. The fallout from this debacle reaches beyond concerts and music, speaking to the struggles of an entire nation caught in political tension.
The saga of Rawayana’s canceled tour sheds light on the intricate ties between the arts and politics in Venezuela. The backlash against a song intended to uplift highlights the volatile environment artists navigate when their work becomes intertwined with political narratives. As fans grapple with the concert cancellations, the broader discourse on freedom of expression and respect continues to unfold, echoing throughout the cultural and political landscape of Venezuela.
Source: Apnews
